Cinematographic image and thought at the confluence of Peirce’s and Deleuze’s theories: Affection Image and Iconicity in focus by Maria Ogécia Drigo
This paper presents results of the research, which subject is the relationship between cinematographic images and thought. It aims to suggest some methodological strategies for film analysis, from the concept of image-affection, one of three modalities of Gilles Deleuze.
