Semiotic aspects of Lacan’s notion of the Imaginary order: An inquiry into Spike Jonze’s film Her (2013) by Anna Cabak Rédei (http://doi.org/10.33234/ssr.9.8)
The focus of this article is to further explore the debate of the experts as illustrated in Spike Jonze’s science-fiction film Her (2013) which is telling the story about a man falling in love with his operative system. The analytic approach is semiotic by the way of Lacan’s interpretation of Peirce’s three categories in the development of his notion of the Imaginary order and its links to narcissism.